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WHAT’S ON

LEEN RIETH

When I am here, what do I do?

12 – 27 October 2018

Opening Event | Friday 12 October 6pm
Artist Talk | Saturday 13 October 3pm

About the Exhibition

This project is a part of Leen’s development of a pedagogy focussed on studying physical and social configurations generated in and by art institutions. The pedagogy uses self-experimentation as a method to study experience. This method is influenced by queer studies of experience which make visible and also obscure contingencies of participating in social and institutional logics. Leen’s pedagogy offers time to study participation in art institutions and well as reconsider operations, orientations and privileges present within these spaces.

During the week before the opening Leen will physically experiment with the gallery space to study the surfaces and structures of Boxcopy. When I am here, what do I do? will share the method of experimentation and documentation of it.

Join us on Saturday 13 October at 3pm for an artist talk with Leen Rieth. Leen will discuss methods for studying how we participate within institutional art space. They will consider how artist-led pedagogy can resist institutional logic by using methods of experimentation. Leen will refer to their own experimentation including their current exhibition at Boxcopy, as well as draw on methods of institutional resistance discussed by Fred Moten and Stefano Harney, Jack Halberstam and Paul Preciado.

About the Artist

Leen Rieth’s practice involves sculpture, performance and workshops. They have exhibited throughout Australia including Boxcopy and Institute of Modern Art (QLD), with Liquid Architecture (Vic), Canberra Contemporary Art Space (ACT), and Constance ARI (Tas). Leen has most recently completed a residency at Cité Internationale des arts (Paris) aided by the Ross Steele Scholarship for a residency in Art & Design, and spoken at the International Association for Visual Culture 2018 conference ‘Visual Pedagogies’. Leen is currently a PhD candidate at University of New South Wales Art and Design.

Image: Leen Rieth, The challenges of performing right now (lecture performance), 2017. Photo: Louis Lim.

This project has benefitted from an Art & Design Grant courtesy of Arc @ UNSW Limited. This project is supported by Creative Partnerships Australia through the Australian Cultural Fund.


Announcing Boxcopy’s new Co-Director Team!

Boxcopy welcomes 5 new co-directors – Nicholas Aloisio-Shearer – Naomi Blacklock – Jessica Carmody – Hilary Thurlow – Emily Wakeling.

Biographies

Nicholas Aloisio-Shearer is an artist and independent curator whose practice is concerned with the digital conditions of contemporary life. His art practice explores photography, video games and the visual culture that surrounds them. He has exhibited in a number of artist-run spaces including First Draft (Sydney), Kudos Gallery (Sydney) and Bus Projects (Melbourne) and received an Artstart Grant (2015) from the Australian Council for the Arts. His collaborative curatorial projects (with Finn Marchant) were presented at Kudos Gallery (2017), and Alaska Projects (2015), Sydney. Nicholas graduated with Honours from a Bachelor of Design in Photography and Situated Media at UTS in 2014 and in 2018 is completing an Maters of Fine Art (Research) at UNSW Art and Design. Nicholas’ professional experience includes working as a Communications Assistant (Artspace, Sydney), Photographer and Graphic Designer (Roslyn Oxley9 Gallery, Sydney) and as a Freelance Photographer/ Designer (2011-2018).  From 2015 – 2018 Nicholas was a sessional lecturer and tutor in photography at the University of Technology, Sydney.

Naomi Blacklock is an Anglo-Indian artist based in Brisbane, Australia who works primarily with sound installation, text works and performance. Her artworks involve an exploration and examination of mythologies regarding the witch archetype and harmful histories of gender and cultural identity. Naomi has exhibited her work nationally including projects at Bus Projects (Melbourne), Seventh Gallery (Melbourne), Institute of Modern Art (Brisbane), Metro Arts (Brisbane), The Walls Art Space (Gold Coast), First Draft (Sydney) and also at Ildiko Butler Gallery (New York). She was shortlisted for the Jeremy Hynes Award (2017) and received the NAVA Ignition Award for Professional Practice (2015). Naomi is currently completing her PhD with the support of an Australian Postgraduate Award at QUT, where she also teaches as a Sessional Academic in Art History and in the Open Studio program. She has also worked for 5 years as an Art Education Coordinator at the YMCA including running art history events at schools. Naomi was a founding member of the Clutch Collective artist-run initiative, presenting exhibitions using a three-ton truck as a gallery.

Jessica Carmody is an emerging artist based in Brisbane, Australia. Her visual arts practice is concerned with the importance of memory and the paradox of performing intimacy through re-construction and re-enactment in sculpture and performance works. Jessica was awarded a Bachelor of Fine Arts (Visual Arts) with Distinction in 2017 and she is currently undertaking a Master of Philosophy (Creative Practice) at the Queensland University of Technology. In 2018 Jessica was the Gallery Assistant at Boxcopy Contemporary Art Space. This role included managing the gallery and assisting with events, exhibitions and research projects. She is currently undertaking an Internship at Eyeline Publishing and was also part of the Graduate Exhibition Management Committee at QUT in 2017.

Hilary Thurlow is an emerging writer and curator based in Brisbane, Australia. Hilary completed a Bachelor of Arts majoring in Art History at UQ in 2017 and is currently completing her Honours dissertation titled ‘Queering the Archive: New Approaches to Feminist Historiography in the work of Dale Harding and Barbara Cleveland’ at the same institution. This research seeks to understand how non-confirmative archives in contemporary arts practice shape feminist modes of historiography. Her professional experience includes working as a Front-of-House Attendant, and Digital Communications Assistant and volunteer at UQ Art Museum, as a volunteer at Griffith Artworks (Griffith University), and a volunteer at the Queensland Art Gallery | Gallery of Modern Art. Hilary was also a Board Member of the student organization, the Society of Fine Arts (SoFA), UQ. In 2018 Hilary completed the Goldsmiths (University of London) Curatorial Summer School program, ’Curating the Contemporary’ held at the British School in Rome.

Emily Wakeling is a writer and curator who has broad experience in the arts industry including in Japan and the UK. Emily completed a Master of Philosophy in Art History at UQ in 2010 and is currently undertaking a PhD focused on curatorial studies at QUT with the support of an Australian Government Research Training Program Scholarship. In 2018 she has been contracted as an Assistant Curator, Asian and Pacific Art, at the Queensland Art Gallery | Gallery of Modern Art, working on the 9th Asia Pacific Triennial of Contemporary Art. Emily lived and worked for several years in Tokyo, as an editor for Tokyo Art Beat and as an adjunct lecturer at Joshibi University of Art & Design and Kanagawa University.  Emily’s curatorial projects include the upcoming “All We Can Do is Pray” at Boxcopy (2019); “Come Close: Japanese Artists within their Communities” Bus Projects, Melbourne (2015) and solo exhibitions by Archie Moore at Higure 17-15 CAS, Tokyo and Courtney Coombs at Rojitohito Gallery, Tokyo (2012). Her writing on art has been included in numerous art journals including Eyeline Contemporary Visual Arts, Art Monthly Australasia, ArtAsiaPacific and ArtReview Asia.


Boxcopy is proud to be a founding member of All Conference – a national organising network comprised of 15 artist-led, experimental and cross-disciplinary arts organisations.

Representing a crucial stratum of the Australian arts ecology, All Conference members present diverse and innovative artistic programs which support the practices of living Australian artists. They connect these practices to diverse audiences via a passionate localism coupled with significant national and international peer-to-peer networks.

Founding members include: Alaska Projects (NSW), BLINDSIDE (VIC), Boxcopy (QLD), Bus Projects (VIC), c3 (VIC), Constance (TAS), FELTspace (SA), Firstdraft (NSW), Kings ARI (VIC), Moana (WA), Liquid Architecture (VIC), Runway (NSW), Seventh (VIC), Trocadero Artspace (VIC), and Un Projects (VIC).

www.allconference.org.au